"Crystal is not an object, it is an idea," comments artist and designer Arik Levy. Through his "Osmosis" exhibition, he aims to draw attention to crystal, and offer playful access to new crystalline forms. And this is exactly what he achieved in Milan.

The latest installation to come from the Swarovski Crystal Palace collection, which was unveiled in parallel with Euroluce in Milan, leads visitors into a world of crystal whereby the shape of the chaton - by far the most famous crystal cut - plays a central role.

Levy creates a variety of new shapes and arrangements with interactive surfaces, rugs, and even fragile airborne pieces that shimmer delicately to represent the origins of crystallization. The characteristic form of the chaton allows "superstructures" to be created. His "Rock Chamber" crystalline cavern features a variety of magnetic crystal table pieces that can be rearranged in a number of ways.

Levy thus demonstrates the wide range of possibilities on offer through the application of crystalline forms, as well as highlighting Swarovski's unique expertise in employing innovative technologies that make the most of crystal's design potential and inspire creativity around the world.

Further information can be found at www.swarovskicrystalpalace.com

Author: Rainer Hawlik